Soprano Juliet Fraser delivers a crash course in writing for the voice, exploring why the voice is not an instrument, how to handle a text, the importance of notation and some common pitfalls or misunderstandings.
Together we will ransack history and the recent past to look at and listen to some examples, and Juliet will explain why she dislikes the term 'extended vocal techniques'.
opensound workshops are open to all composers.
Register here.
